(A Tribute to Cole Porter) - Chrysalis Records 1990 - 6
It is difficult to know what
Cole Porter would have thought of this 21 track compilation put together
to help fight Aids.
It really is a mish-mash of
the good, the bad and the truly ugly. There are many good moments such as
Debby Harry and Iggy Pop bringing a jokey blokishness to "Well Did
You Ever" and I loved Kirsty Maccoll and The Pogues double header
"Miss Otis Regrets" and "Just One of Those Things".
But then there are some real turkeys. Les Negresses Vertes try out their
English on "I love Paris" and fail miserably and "Begin the
Beguine", "Love for Sale" and "It's All Right With
Me" are destroyed by Salif Keifa, Fine Young Cannibals and Tome Waits
respectively.
Thankfully kd lang, Annie
Lennox and Sinead O' Connor provide enough moments of class to rescue the
project and at least make some of it worthwhile.
Legendary Beatles producer
George Martin decided to bow out of the music business with this mixture
of the good, the bad and the ugly.
His idea was to surround
himself with musicians, actors and comedians whom he admires and get them
to perform Beatles songs interspersed with a couple of his own pieces.
The result was always going
to be a collection that almost everybody will agree is flawed. People will
disagree with which are the good tracks and which are the bad but I'm sure
anyone listening will find this patchy.
Personally I think Goldie
Hawn's version of "Hard Days Night" is appalling, Celine Dion
does absolutely nothing for "Here, There and Everywhere" and
Billy Connelly's "For the Benefit of Mr Kite" should be
recycled.
On the plus side I enjoyed
Phil Collins' "Carry That Weight/The End" and Vanessa May's
"Because" is a wonderful piece of kitsch with a huge background
chorus. Jim Carey does a marvellously manic version of "I Am The
Walrus" and Sean Connery's spoken version of the title track is
surprisingly enjoyable despite verging on the laughable at times.
Possibly my favourite track
is Jeff Beck's guitar rendition of "A Day in the Life." But
there are too many lows to make this album successful.