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The
Monkees
American/British Pop Group
Studio Albums
The Monkees (1966)
More
of the Monkees (1967)
Headquarters
(1967)
Pisces,
Aquarius, Capricorn and Jones Ltd (1967)
The Birds, the
Bees and the Monkees (1968)
Head (1968)
Instant Replay
(1969)
The Monkees
Present (1969)
Changes (1970)
Pool It (1987)
Just Us (1996)
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Titles
in red have been reviewed. Those in black are to be reviewed
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The
Monkees
More
of the Monkees (1967) - 5.5
She (Tommy Boyce, Bobby Hart),
When Love Comes Knockin (At Your Door) (Carole Bayer Sager, Neil
Sedaka), Mary, Mary (Michael Nesmith), Hold On Girl (Carr/Keller/Raleigh),
Your Auntie Grizelda (Diane Hildebrand, Jack Keller), (I'm Not Your)
Steppin' Stone (Boyce Hart), Look Out (Here Comes Tomorrow) (Neil Diamond),
The Kind of Girl I Could Love (Nesmith/Atkins), The Day We Fall In
Love (Linzer/Randall), Sometime In The Morning (Gerry Goffin, Carole King),
Laugh (Margo/Margo/Medress/Siegel), I'm a Believer (Neil Diamond)
There
is something of a rough charm about this album which seems to be
an amalgam of songwriting talent thrown together at times in a
rather haphazard way. Some of the big guns were wheeled out to
help the Monkees who were limited once again mainly to vocals.
There
is an underlying tension in the album with musical supervisor Don
Kirshner exhibiting a control over proceedings that led Mike
Nesmith to label it "The Worst Album in the History of the
World." It may not be a great album but it certainly doesn't
deserve that title. At times patchy, it does manage to mix early r
and b with more jaunty tunes that made the group famous. With
Carole King, Gerry Goffin, Neil Sedaka and Neil Diamond penning
songs, it was always going to be a massively high selling album
and so it turned out. At times it leans towards Merseybeat with
Davy Jones' vocals giving a decided Brit feel to it. On other
occasions there is more of a nodding acquaintance with West Coast
pop and the likes of the Byrds.
The
Day we Fall in Love and Auntie Grizelda are at times embarrassing
but there is enough here in the shape of classic songs like I'm A
Believer to keep the interest going.
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Headquarters
(1967) - 6.5
You Told
Me (Nesmith), I'll Spend My Life With You (Tommy Boyce, Bobby Hart),
Forget That Girl (Douglas Farthing-Hatlelid), Band 6 (Jones, Nesmith, Tork, Dolenz),
You Just May Be The One (Nesmith), Shades of Gray (Barry Mann, Cynthia Weil),
I Can't Get Her Off Of My Mind (Boyce, Hart), For Pete's Sake (Tork, Joey Richards),
2 Mr. Webster (Boyce, Hart), Sunny Girlfriend (Nesmith), Zilch (Jones, Nesmith, Tork, Dolenz),
No Time (Hank Cicalo), Early Morning Blues and Greens (Diane Hilderbrand, Jack Keller),
Randy Scouse Git (Dolenz)
So
just when you gain musical control of a project and release an
album which goes straight to number one, the Beatles come along a
week later with Sergeant Pepper. This was nevertheless a landmark
album as the band recorded by themselves and went in the direction
they desired. Fourteen tracks in just 30 minutes give a good idea
of what is happening - good and very short pop songs.
The
band step out from the shadows in songwriting terms as well and
that makes this a much more grown-up album. There are a few
highlights on the album. The Mann/Weil song "Shades of Gray"
is a lovely song with a fine classical background and Abba-esque
vocals. Mike Nesmith comes to the songwriting fore with three solo
songs and a hand in two others and this helps to illustrate a band
evolving. His songs almost have a Crosby/Stills feel about them
and arguably Headquarters has more of a West Coast sensibility
than the previous albums. This is particularly the case with
"You Just May Be The One." There is also an interesting
weirdness to the project with strange offerings such as "Band
6" and the spoken round "Zilch." Highlight of
course is Dolenz' "Randy Scouse Git" which later morphed
into "Alternate Title." |
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Pisces, Aquarius, Capricorn & Jones
Ltd (1967) - 5
Salesman (Craig Smith),
She Hangs Out (Jeff Barry), The Door into Summer (Chip Douglas,
Bill Martin), Love is Only Sleeping (Barry Mann, Cynthia Weil),
Cuddly Toy (Harry Nilsson), Words (Tommy Boyce, Bobby
Hart), Hard To Believe (Davy Jones, Kim Capli, Charlie
Roberts), What Am I Doing Hangin' Round?( Travis Lewis,
Boomer Clark) Peter Percival Patterson's Pet Pig Porky (Peter Tork),
Pleasant Valley Sunday (Gery Goffin, Carole King), Daily Nightly
(Michael Nesmith), Don't Call On Me (Michael Nesmith, John
London), Star Collector (Goffin, King)
The
Monkees called upon some help from friends for this, their fourth
studio in two years and again it fuses together a British and
American feel with more idiosyncratic songs that by now had become
something of a signature for the band.
There's
more than a little nod to psychedelia on "Daily,
Nightly" and once again Mike Nesmith shows himself as
arguably the most accomplished songwriter in the band with that
track and "Don't Call on Me." Overall it's a mixture of
pop sensibility, ballads and more weirdness. On the down side the
band seem to be pushing themselves into a corner where further
development looks a few light years away.
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